5 Reasons Writers Should Keep a Journal

In another article, 3 Reasons Everyone Should Keep a Journal, I’m talking very generally about the benefits of keeping a journal and is geared towards anyone that wants to put pen to paper. This article, however, goes one step further and discusses a few reasons why writers should be keeping a journal as part of their daily writing habit/obsession.

Dreams

The first thing I am going to mention is dreams. I included dreams in the aforementioned sister article, and my claim was that writing down your dreams can help you see deeper into yourself, and I think that’s true and beneficial for everyone.

For writers, there is something else that recording your dreams can provide you: the possibility to plumb the depths for poetry and plot.

If you are a fiction writer, you can use your dreams to spark anything from narratives to plot twists. That shady character whose face you never quite see: wouldn’t he make a great antagonist? Creepy location? Perfect for that scene you’d just been tinkering with the other day.

I often find myself drifting off to sleep with a story question floating around in my noodle and more often than not, I wake up in the morning with the answer. But there is a warning. Dreamstuff doesn’t always make sense and sometimes needs a bit of tweaking, but the seed grows into a plant, right?

If you are a poet, you might compose a set of surrealist poems based on your dream-worldly experiences like so many talented poets have done. See John Berryman, Sara Arvio, and Sinead Morrissey, to name a few.

Our dreams inspire us. Many cultures believe dreams are sacred/holy/messages from above/below/somewhere/is that you, uncle Jim? But I’m happy enough to settle on dreams being the way our brain re-sets itself to be ready for another day of being furiously human.

Side Note

I just want interrupt myself to say that you don’t have to journal the way I journal. I think it’s obvious that journaling is an extremely personal process and you can journal any way that you deem fit. But just in case you’re just starting out, or are drawing a blank, I wanted to throw a few ideas out there for those the might need them, and you can tailor your practice to your particular needs.

Okay, to return.

Lines for Poems Past

Oh, these. Even if I have convinced myself that a poem is finished, my brain doesn’t always think so. It sometimes knocks on the door and asks, “Do you have a pen handy? Because BLART!” Blart, of course, being the line of poetry as suggested by brain. I’m pretty sure that’s the technical term for it.

So then you decide to dig up that poem and its resurfacing means much more editing, self-doubt, nail-biting, over-caffeination, and a resulting lack of sleep. Sigh. It’s tough, but that line could change the face of the earth—! And if not the earth, the poem, which is important enough in its own right.

Lines for Poems Future

How many times have I had a great line that I swore to myself that I would remember only to forget it literally seconds later? So. Many. Times. Remember those lines guys. Your future poem-spawn depend on you keeping the fantastic lines that sneak up behind you and hit you in the forehead, or the ones you painstakingly compose in your mind while you’re elbow-deep in dishwater. Make sure it gets into your notebook, even if you write it on a pad and tap it in later.

Alternatively, you could write those random lines onto cue cards, stick them in a bowl, and fish one out when the well is dry. It’s a guarantee you’ll always have a little spark to work with, and sometimes that little spark is all you need.

Mundane to Metaphor

You know, sometimes it’s good to note simple things, things you notice in your daily life that could seem trivial, but if looked at differently, are actually huge. You can craft a wicked poem from the mundane and provide your readers with a revelatory and mind-blowing experience. I’ve seen it done—and maybe have even done it myself. See poems like Cut by Sylvia Plath and Mending Wall by Robert Frost.

Anything and Nothing

I don’t have this one as part of my personal practice, but mention it because I recently had a sneak peek into a friend’s notebook and he had been doing some automatic writing—AKA psychography—which is where a person would hold a pen and move it around a page, but actually let their unconscious/spirits/something else provide content. I like the idea and contemplate trying it, but anticipate getting spooked. (I get spooked.) For more info, read this Wikipedia page.

Journal Entry Brainstorm

I’m going to go into list mode. Here are some things you might find in my notebook.

  • all manner of lists, to do lists, grocery lists, writing supply lists (need those pens!)
  • recipes for things
  • quotes I find helpful
  • cat stickers Emily gave me
  • weird pieces of paper or bits of stuff I don’t know why I like
  • washi tape to hold said weird bits
  • if I made a connection between things I’ve written that share subject matter or tone, and could therefore end up collected into a zine or chapbook, and notes on how each would change each
  • poems
  • doodles of random stuff
  • memories that got triggered for one reason or another
  • words that I like or find curious
  • words to look up to see if I invented them or if they’re real (surprisingly often are real)
  • words in Danish as I’m (slowly) learning the language
  • titles for poems; existing ones or some yet to be written (sometimes the egg comes first)
  • lines of dialogue I have heard/imagined/imagined I heard
  • ideas for fiction; settings, plot points, themes, aristotelean trinities
  • scenes for fiction pieces in progress
  • scenes for fiction pieces that have yet to be fleshed out/written
  • lots about The Story Grid as I’m studying it
  • birthdays I don’t want to forget
  • books to research/borrow/purchase
  • things people say or do that ring, one might call synchronicities (thanks, Jung)
  • notes about novels I am reading (beats, devices, tricks, things I like/dislike, etc)
  • notes on poetic craft/metre and rhyme schemes I’m working on
  • things I don’t understand but want to (stuff to research)
  • something one of the cats did, like yarking on the heater (What is that smell? It’s hot cat yark.)
  • really anything. What did you do today? Do your pants have spots or stripes?

In the End, it’s About Habit…

We humans are creatures of habit and I think by making a conscious decision to write, the more second-nature writing will become until it’s a necessity for some semblance of internal wellbeing. Studies have been done to discover how long it takes to form a habit, and the results are varied and all depends on the type of person you are, which makes perfect sense.

I have gotten to a point that if I don’t do some kind of writing or writing-based activity every single day, I feel off, unbalanced, and not like myself. A journal entry, a blog post, a scene in a fiction piece, a poem, even typing up a scribble. It all counts as far as the habit is concerned.

…But it’s Also About Time and Place

Some writers decide on a specific time to do their work because that is what fits into their schedule. Some—like myself—jot things down on a fairly regular basis and keep their journal on hand throughout their day. Others have been able to detect what time of day they’re at their most performant and work the rest of their lives around that. Are you an early bird, a night owl, or a midday fowl? Find out and use it to your advantage. Also, don’t discredit the possibility that your optimal working time can change. Before I went to university, I was undoubtedly a night owl. I’m finding that after, and as I get older, I have my moments of clarity earlier in the morning, usually while walking or doing something mundane and usual, like making tea and toast.

Wasn’t it William Wordsworth that took long walks in the Grasmere moors to get his mind to the place he needed to be to write? You need two places then; the place your body can physically do the writing, and the place your mind needs to be to do the writing.  I know it sounds complicated, but don’t be intimidated. You can do this.

You might have a specific and cozy location in your home designated for this purpose. You might have a local library or coffee shop that suits the mood. and even when you have what you think is the perfect location, you have to do something to get to “the place”. Read a favourite passage, recite a mantra, doodle on the page to get your pen ready, pretend to play a piano scale, crack your knuckles. Have a thing—and do it. Writers of all levels are going to keep telling you this—DO IT! Do the work.

Find what is best for you. Then—repeat.

3 Reasons Everyone Should Keep a Journal

In a heated moment of self-reflection, I asked myself a simple question—why do I write in my journal?

This simple question became an inquisition. More questions flooded in—is my drive to write in my journal related to my being human, or with my being a human trying to live the writing life?

It’s a complicated question to be sure, but I think I’ve come up with a decent set of answers. I write in my journal for different reasons that come from different places. If you are reading this article, it must be because you’re thinking about keeping a journal or you already do and are looking for a little inspiration.

This article is going to underline the reasons I think everyone should keep a journal.

Stigma

To some, journaling seems like a silly, useless, or embarrassing thing to do. Others simply say “it’s not for me” or claim that they can’t think of anything to write about.

These excuses don’t work for me, and they shouldn’t work for you, either.

Can’t think of anything to write about?

I would like to think that what people mean when they say this is that they don’t believe that they can think of anything of consequence to write about. Must all your writings be of consequence?

Write about the birds you saw that day, what you’re planning to do at the weekend, or a phrase you heard your co-worker whisper. It doesn’t matter what you write and it doesn’t have to be deep/earth-shattering/completely brilliant. Though that would be nice, wouldn’t it?

“It’s Not For Me”

To contradict the “it’s not for me” argument, writing in a journal is for absolutely everybody, no exclusions. Cats even, but good luck getting that lot to do anything but eat, sleep, get cuddles, and be adorable.

It’s Silly

To speak to the silliness factor, for sure, the things we write in our journals have the potential to be silly, but surely you can allow yourself that freedom? Worst case scenario, there’s always fire. And paper shredders. Or paper shredders and then fire. But not the reverse, that would be an unholy mess.

It’s Embarrassing

If you feel embarrassed writing to a Dear Diary entity, you can write to yourself, to your future self, to your past self, to a friend, to a relative, or to an imaginary person. Or to a dead one. You can write to the universe. You can write to the turtle the world may or may not be balanced upon. You can write to no one. Even the sky is not the limit here. Write to your favourite planet or a star that strikes your fancy.

Some folks get blocked by the very word Diary. My instinct is to call it a journal. You can call it a notebook, and fill it with concert tickets; a grimoire, and fill it with pungent herbs and the blood of your enemies. (Joke. Don’t do the blood of the enemy thing. Do do the writing bit, though).

  • diary
  • journal
  • notebook
  • grimoire
  • logbook
  • notes
  • workbook
  • scrapbook
  • sketchbook (prerequisite: that you can at least draw a stick figure)
  • daybook
  • book
  • booklet
  • book of things
  • Margaret
  • Philadelphia
  • pancake
  • homunculus

Pick a name that doesn’t offend you and get comfortable with it. Hold your notebook. Carry it with you wherever you go. Use it to discreetly scratch your backside while standing on the tube.

It’s Useless

Just no. I can think of many entirely useful reasons why you should be keeping a journal, and I’m not just talking about bum-scratching.

THE REASONS

Self-therapy

The most basic and general reason for keeping a journal is that it’s deeply therapeutic. I believe this so hard that I don’t even know if it’s a cliché. Maybe it is, but bear with me.

Airing of Grievances

Writing in your journal can serve to vent private thoughts that you would rather keep to yourself, whether it be forever or for the time being. Nothing prevents you from talking about them later. Sometimes we have secrets from friends, family, and from the ether of the internet. You’re allowed to have thoughts and feelings that are just for you and no one else. Writing them down releases the tension of the secret and better prepares us for talking and expressing ourselves on the subject in the future if the need should arise.

WE FORGET THINGS

Mediocre Memory

We want to think that our ability to remember things is flawless but the truth is that our brains are not wired to record data like a computer does. Sad but true. But who knows what the future holds for us. (Looking at you, Borg.)

Scientists have done incredible studies to see how and why our memories work the way they do. If I have understood the things I have read on the subject correctly, the idea is that keeping notes is a tool to—not remember things completely mind you—but to improve our ability and capacity to remember things. The act of writing about something you’re listening to or reading provokes a reaction in your brain that can mean you will have an improved remembrance. Having a brain (it helps) + having a language (also helps) + listening/reading + performing an action like writing = strong memories being formed because more centres of your brain are being used in the creation of that memory. I think. I’m not a neuroscientist. Fact-check at your own leisure, but I’m pretty confident about it being accurate.

Life Lessons Through Dreams

Dreams. What are they, even? Do our complicated brains use them as a way to deal with anxieties we would usually repress in waking life? Are our unconscious minds trying to speak to us? Are our Shadow-selves trying to bust in with their two cents? Is someone else? Something else? (Creepy.)

I despise the recurring phenomenon of having an epic dream only to forget it halfway through my porridge, then be really cranky that I didn’t write it down when I had it, then remembering it again in a flash at some other inopportune moment where I am without my writing gear. Moral of the story—write! Keep that memory! Because reading through past dreams can help you think a little bit deeper about yourself, what drives you, and how do deal with myriad joys and anxieties. The path the selfhood is definitely a strange one.

Reflect on Past Thoughts

Reading a notebook you kept once-upon-a-time seems to be a fair way to map personal growth. Did you believe something last year that still holds true? Have you changed since then, and in what way? Is there a thought that you can now recognise as erroneous?

Reflect on Memories

They say long term memory fades with each subsequent recall. That’s a scary thought, yes? There are things that I’ve experienced that I never want to lose, so I write them down. There are things that family members tell me that I want to record, funny stories and anecdotes about things I did as a kid, like that time I broke a really expensive teapot that set off a teapot curse, and that other time I threw up a green apple. (Still can’t eat green apples. Still have teapot curse.)

BECAUSE IT’S COOL

If I can’t convince you that writing in a journal is good for you both emotionally and physically, then I’ll have to resort to peer pressure.

Cool people write in their notebooks. Here is a list of really cool people that keep/have kept notebooks.

  • Einstein
  • Benjamin Franklin
  • Isaac Newton
  • Hemingway
  • Emily Dickinson
  • basically every writer in history
  • Marie Curie
  • Hildegard von Bingen
  • basically every musician in history
  • Leonardo Da Vinci
  • Frida Kahlo
  • Emily Carr
  • Picasso
  • basically every artist in history
  • moody babes in films like The Virgin Suicides
  • these celebrities
  • other people that own pens and notebooks

Conclusion—go forth and do the thing.

Also, see this follow-up article—5 Reasons Writers Should Keep a Journal

You—Caroline Kepnes

Because I have mixed feelings about this novel, I spent yesterday evening—after finishing the book—wondering if I should write a post about it at all. It’s possible and even probable that I will be flip-flopping, so please bear in mind that I don’t have a fully-formed opinion about it yet. It could be that in writing this post—which I have obviously decided to write—that I will end with something somewhat cohesive.
It’s the first book of its kind that I have read—and by its kind, I mean a novel about a stalker. I should elucidate: a stalker whose main tool for accomplishing said stalking is his use of the internet and social media. It gets points from me for originality, but I am sure there are many other books about stalkers that I have not read, and I am sure there will be more, from this author or from others.
I need to mention that this book needed to be written, because internet privacy is inexistent and people don’t seem to be conscious of it, myself included. It is necessary to know about privacy and I think young girls should read it—hoping of course that the intertextuality and music references don’t go over their heads!

There are definitely things about this novel that deserve praise, and one of them is the genuine psychological traits of each character. Everyone’s got something, and if that’s not true to life then I don’t know what is, though I feel like the parts of characters we see are the tip of the iceberg. Again, that’s true to life, though in fiction I think we like to get more information as quickly as possible so that we feel we know the characters inside and out. This is not always possible with real people in real life.

So. Narration. I had a hard time getting into this book because it is written in the second person and I find the tone off-putting and accusatory. After getting a quarter of the way through, I got used to the style and I understand why it was done that way, but that is not to say that I liked it any better after that point.

In fact, I didn’t.

So the thing about a book and about having a narrator at all is that there is a narraror, and one must be aware of that and understand that the story is being told from the perspective of someone. That someone might not even necessarily be the author either, and generally isn’t. The Book Thief is narrated by Death, but Death did not write the book, but Markus Zusak did, writing as Death, so we have the sensibilities of both the author and the narrator. Someone who writes a memoir is the narrator though, so you are only seeing through one sensibility, which is definitely not to say that it is more reliable a text. Because the narrator could be a persona or construction of the author, not only is a story and is written down and thus removed from immediacy and fact, it is also removed by the fact that there is a narrator and we are always wondering about how reliable that narrator is.

So the narrator. Let’s open that can of worms.

The particular narrator in this novel is a stalker and a murderer, though we don’t know the latter initially. It is in the first person and in the present tense so there are sentences like “You are texting me right now.” but in actual fact it would be hard for him to be walking down the street reading a text, answering the text, and on top of it writing the novel that we as readers are reading. He is supposed to be 17 and yet he is the manager of a bookstore. It seems to me that he is a lot older than he says he is, and his confidence and prowess mirror that assumption. And holy crow, does the guy have spare time. But I guess that is a must for a stalker.

If he was in his mid-to-late-twenties I would have found it more believable, but it does not take much to distrust a narrator. Not that I trust him at all—he is a stalker—and all the psyclological baggage that goes along with being one.

I imagine it was a complicated piece to write, and all things said, very well done. It might not jive with me but it probably took lots of planning—and lots of guts—to write.

To talk a bit about the main female character and object of the narrator’s obsession, Beck, is in the process of getting her MFA and it got me a little bit worked up because all it seemed like she was doing was sleeping around and only writing an eensy weensy bit. I’m not sure. I got through my Bachelor’s in Creative Writing in Literature and it was hard, and I assume a Master’s is harder and more pointed, more focused, and so on. Do we see her actually writing anything, anything she herself thinks is worthy? A writer needs to be a ‘writer who writes’ and works hard and I am not convinced she is who she is portrayed to be, but that also ties in to the reliability of the narrator. I saw her more as a college student taking a writing class that she loves, but as I said, we see through his filter.

Beck’s first name is Guinevere, invoking that great beauty, and of course, adultery.

Please take this post lightly. The book did not make me feel good in any way, and I didn’t like any of the characters, but despite that I feel like it is one of those creepy books that stays in your mind for a long time, and some people consider those retained memories a part of what makes a book good. I think a book like this is supposed to make a person feel uncomfortable and gross. If it makes someone feel good…I would start to worry about them.

Also this quote:

“Art should comfort the disturbed and disturb the comfortable.”

The commentary on human nature is—what can I say? Frightening.

When I finished it, to my shock, there was a snippet of the sequel. I’m not going to read it but I am going to start counting my knickers.

Best and until next time,

AF

Smart—Bruce Bennett

I first read this poem in my copy of Writing Poems, page 92, but after Googling it, I was able to find it here:

http://poemhunter.blogspot.ca/2007/04/smart.html

Thanks Google and Poemhunter!

I love this poem. Writing Poems was part of a poetry class curriculum (as you might already be privy to from past blog posts) and the poem has stayed with me all these years. I can’t help think about the fact that foxes might do what the poem describes. Most humans are not as smart as that fox. I was struck by this poem when I read it the first time and I wrote “Wow, wow, wow! Is it true?” in black ink right below it. (Yes I am guilty of writing in my books).

When I went back to read it again, I liked it less for the short-short lines that sort of break everything up, but I have to think about the weighing out of breaths, which is important too. I might study it a little more and scan it to dissect it a bit better. Personally, I don’t write in either very short or very long lines and I might like to try. I seem to have medium length lines, and I want to break away from that. I’ll try some super short (Abecedarians are good practice!) and maybe some long Alexandrine lines or something.

I still don’t know if foxes really get rid of their fleas in this way. It makes total sense to me but. You know. I’m a person.

It drives me crazy how people have this notion that animals are lesser beings because they are not as smart or have no feelings. I am pretty sure that anyone who has ever had a pet can say that they are intelligent and have feelings. My cats have feelings for sure, and are smart enough to get extra food from me pretty much every day. I used to have a dog and she was mostly always intelligent. So. Animals are amazing and this poem proves it. If I ever have a debate with someone about the subject, I’ll show this poem in the hopes that it will gain some favour.

Also, crows use tools. Google it.

The End

Have a happy day reading poems!

Advice for a Stegosaurus—Jessica Goodheart

Oh internet.

You’ll never know where you will end up. Sometimes I want to do a bit of research and I wind up watching videos of baby sloths hanging onto boxes, or dogs talking, or kittens chasing laser pointer dots. I get so mad at myself that I turn off my WIFI—and then I turn it back on a minute later because I remembered what I wanted to look up in the first place. Vicious. Circle.

So—on one of my internet escapades, I found this poem at:

http://poemhunter.blogspot.ca/search/label/Jessica%20Goodheart

The poem is four verses of three lines, and the concept is really peculiar but I thoroughly enjoyed it. Writing a poem of advice for a dinosaur? The title hooked me and I had to read it.

I like the second line: “the hot throat of the volcano,” as well as the second to last: “and armored eye-lids.” I am not usually a fan of short lines as I may have mentioned but there is such musicality and the images are fabulous. You can really get the rhythm of that dinosaur. But does the dinosaur need advice? Why not. We could all use a bit of advice now and again, even if you are and extinct and have no hope of ever receiving said advice. Unless you have a Tardis. And a really big leash.

And then there’s the likelihood of allegory, but you can discover that for yourself! Read the poem and enjoy!

 

Cut—Sylvia Plath

I decided to write about a poem I have mixed feelings for. It is called Cut.

I like a lot of things about the poem. The comparisons that are being made are wonderful: the cut as a hinge, the Indian/pilgrim, turkey wattle, the homunculus, and the blood as soldiers where the speaker calls them ”red coats” on line 20. (Shall I say Plath instead of the speaker since she is considered a confessional poet?) These are all great images, so vivid. I am a fan of imagistic poems, I guess that is obvious.

I don’t know if I have just made it up from my reading experience, but I call this sort of poem “domestic confessionalism” since it has to do with the home/the place where Plath was cutting an onion. Regular confessional poetry I feel is maybe more internal? I could be totally off my rocker, but the sub-classes are different in my mind. I should really do more research on that. Always more research.

http://www.internal.org/Sylvia_Plath/Cut

Above is a link to the poem, which is ten verses of four lines so short that sometimes they’re only one word. Sometimes poems with short lines like that get choppy and interrupt the reading (for effect or not!) but I have to say that this one reads well. I can hear a sarcastic female voice reading the poem. Oh wait. That’s me.

Moving on to the things that I don’t like about the poem.

Verse 4—The bottle of pink fizz. I am assuming this is some sort of medication or seltzer to fight nausea from that time. It just catches me up because I don’t know what it is. The next thing is the thing that really makes my skin crawl, the rhymes ill, pill, kill in the sixth verse. ::writhing:: But then it is all made better when I read the line “The balled | Pulp of your heart”. That’s a beaut.

Last thing—the second to last line of the poem ”Dirty girl”. I get the gist of what it means I just don’t like it.

So there you have it!

Next month I will be writing about animal poems! Lions and tigers and bears, oh my! Actually none of those animals :3 but come and check it out anyway!

Best,

AF

In Plaster—Sylvia Plath

This poem is from my pink Everyman Plath book, page 110. Such an intense poem, and truly one of my favourite poems of all time. This poem describes a relationship between the speaker/patient and the personified & female cast. What an imagination. Seriously. One of the things I loved about visiting Edinburgh is that no matter what bookstore I went into, there were a f*ton of Sylvia Plath books, not like in Montreal where there is MAYBE a copy of Ariel, and not even the restored edition. I had to special order that one. Blackwell’s totally had ALL OF THE SP THINGS including a book of her drawings which I did not buy because my suitcase was already full of books (very literally) before I even got a quarter of the way through my trip. But now I know that drawing book exists, and I did spend some time flipping through it. She was good at drawing random plant pods. And I love the one she did of Ted. OKAY–so to return: I found a link to the poem online.

http://www.americanpoems.com/poets/sylviaplath/1401

There are eight seven-line stanzas and some one of my favourite lines is: “She lay in bed with me like a dead body” from the first verse. It is creepy and vivid. I also love “I gave her a soul, I bloomed out of her as a rose | Blooms out of a vase of not very valuable porcelain” from the third verse. The two images juxtaposed are perfection and I love how it is specified that the vase is made from not very valuable porcelain.

I suppose it is time to tell you that I have a love/hate relationship with Sylvia Plath. I adore some of her poems but there are others that I don’t get. Maybe it is because I am not nearly as sophisticated as she was, and maybe it’s because, I don’t know. I don’t know why, but maybe time and place have removed the meaning in certain cases. And it is not for lack of trying. I have done research! But maybe some poems have just sprung for writing exercises like: write a poem in the perspective of a bee talking to a flower, and I read it and I have no idea what is going on, and then one day when the Poetry Fairy comes along and puts a lightbulb over my head, it will click and I will rave angrily at myself for not seeing it sooner. So. That’s a thing. Great—so—take a look at this poem—it’s a good one—if a little bit morbid.

Ta for now, AF